In today’s episode, we’re talking about Killing Eve episode 3: Don’t I know You.
So, does Germany actually have these fetish shops?
I have no idea. I’m so embarrassed this happened in Germany. I’m from a small village and I have never heard of these places.
There is another murder, very out of the ordinary again. Villanelle killed a Chinese diplomat in Berlin. That’s a causal inciting incident. A new lead for Eve.
Now we’ve moved right in from the Beginning Hook to the Middle Build of the story
If you are familiar with Joseph Campbell’s hero’s journey, you might know that the transition from Beginning Hook to Middle Build is in most cases happening at the same time as the hero leaves the ordinary world and moves into the extraordinary world.
We see this in this episode – Eve moving into the extraordinary world.
Also, the episode has the purpose to highlight that no one is safe from Villanelle.
Especially no one close to Eve. It’s like Villanelle was making a statement. And if we continue to track Eve’s journey or the hero’s journey, then Eve will soon find out how dangerous that extraordinary world really is. That’s basically, as mentioned before, what this episode is really about.
The Turning Point is when Eve is told that the nurse in the fetish shop used her name for the last assassination. It’s a revelation for Eve, and now she knows that the assassin knows who she is. Eve is not a stranger investigating that case anymore, but her prey knows its hunter now and can turn the tables.
I think the Turning Point comes later on, where Eve says to Carolyn “Please don’t fire me”. So she doesn’t seem to be making any decision.
I think it’s an internal crisis.
What about this – Eve is in charge of a team, and when she is in Germany she doesn’t answer Bill’s call till the second time, and as a result, Bill dies, so she fails. So I think the Turning Point is when Bill dies and how she progresses – does she stay on the mission or not. When I get stuck on a crisis, it is the most memorable moment and for me, that is when Bill dies.
But the Turning Point is when the tables are turned and that happens when she finds out her name was dropped by Villanelle.
I don’t understand what the crisis question would be after Bill dies.
I think it’s “What do I do?”
I don’t think we’ll going to solve this, and we might both be right. What do our listeners think? What’s the Turning Point? Let us hear from you!!
Does she continue to pursue Villanelle or not after she knows that Villanelle knows her name?
After failing as a leader when Bill is killed, does Eve continue to pursue Villanelle and be part of the team?
In both cases, Eve decides to continue to pursue Villanelle
So, what happens when Eve makes the decision to go to Berlin. People die. Her friend and former boss, Bill, dies. This is the second time that Eve has made a decision and afterward, people have died, the first being at the hospital in the first episode. Death seems to follow Eve, and this can do two things: it can make her more determined or it can destroy her, and this is character building, it shows what kind of person Eve will be. Either way, it’s definitely personal now for sure.
Eve finds out Villanelle knows her name and now Bill is dead and the game is real
Polarity Shift: -/–
I see a comparison with Bill getting killed and the Red Wedding scene in Game of Thrones. The night before, Eve and Bill are bonding and it’s too cute, like the party before the wedding, and the next scene everyone is getting killed in the Red Wedding and Bill is dead. Whenever it gets calm, we should expect bad things.
That’s good storytelling – surprising the readers and viewers.
Yeah, of course, it’s dark. I couldn’t believe they would add to the tension.
I just want to mention the scene when Villanelle hooks up with this older woman with similar hair to Eve and tells her “now I’m going to hide and you’re going to find me?”
And Bill tells his son that he’s going to die, a little foreshadowing there. That was so sad.
Now if you look at Villanelle’s assassinations, they get more and more out of the ordinary. Vienna a surgical stab wound. Tuscany she injects poison in the eye. The massacre at the hospital. In Bulgaria, she is almost bored chasing that man in the office. Deadly perfume against the woman. And finally, a sex fetish killing in Berlin.
Now, we have a personal reason for Eve to chase Villanelle as well as her professional reason. And we want to see how Eve will get her revenge.
The audience is in it for the long haul now.
It’s kind of squishy. Maybe Eve’s self-awareness is going up.
What other movies and TV shows can you think of that have prominent characters die? Mentors?
Randy – Star Wars (Obi-Wan Kenobi); Mistborn – Kelsier dies early on the book.
Mel – I love reading comics. So for example in Hellboy – Seed of Destruction Hellboy’s adoptive father dies. Or sir Reginald Hargreeves right in the beginning of the first volume of Umbrella Academy. Gandalf kinda dies in Lord of the Rings, but luckily he comes back as Gandalf the White. Antonius Proximo in “Gladiator”. Dumbledore in Harry Potter.
Parul – Game of Thrones, Red Wedding.
Did we miss any? Write your favorite unique assassinations in our comment section on storygrid.com where you’ll also find links and additional material in our show notes.
Vote for our next TV series at our website: www.sgshowrunners.com
For more information about the Story Grid, go to the Story Grid Webpage to find free videos and articles on how to implement the methodology.
For an example of how these techniques are used, read Jane Austin’s The Pride and the Prejudice with annotations by Shawn Coyne.
If you are interested in having your manuscript reviewed by me, see my Editing Services.
Category: 5 commandments, 6 core questions, Authors, Screenwriters, Scrivener, Story Grid, Story Grid Showrunners Podcast, television, tv series, WritersTags: Codename Villanelle, jamie comer, Killing Eve, Luke Jenning, Phoebe Waller-Bridge, Sandra Oh, villanelle
With 25+ years of military experience, let me help you make your action characters and scenes more authentic. Contact me and tell me about your writing project.
© 2020 Randall R. Surles