Showrunners 029: Ozark S1 Intro

Money.

That which separates the haves from the have-nots.

Patience, fidelity, sacrifice.

Deciding between to invest in your family’s future and taking responsibility for the consequences of those actions.”

Money is at its essence that measure of a man’s choices.

OZARK – Expectations

Randall Expectations: I’m excited to watch this series, it’s got a lot of good hype.  I also really enjoyed Breaking Bad, with which I see some similarities.

Parul Expectations: In terms of Genre? Action or Thriller with morality. Status? Maybe? It’s unclear why he’s making the choice, but we know he’s chosen to be a drug dealer and now will pay the price. As a viewer – this looks like it’s an edge-of-my-seat type of show. I’m excited but not looking forward to seeing the body count – I’m squeamish.

Mel Expectations: An exciting story about a family man struggling to do what’s right for his family and what’s morally right, while their life gets threatened more and more, and his marriage is tested.

Trailer break down/ expectations

Mel: This trailer starts right by stating the object of desire – not only for the protagonist, the family man and husband Marty, but also for the antagonist that is later introduced as a Mexican drug cartel. And the beauty is they only need to say one word and we immediately get lots of pictures in our head about that one subject and it the good and bad it can do. It all comes down to money.

The protagonist defines money not only as a way to differentiate himself by saying:

That which separates the haves from the have-nots.

But he also adds even more value to money as he states at the end of the trailer:

Money is at its essence the measure of a man’s choices.

Choices. 

And the hardest, probably the biggest choice of this first season is in the beginning hook because it influences the rest of the story. And the trailer tells us what choice the protagonist will be facing: Deciding between to invest in his family’s future and taking responsibility for the consequences of those actions.

And by all the images we see and the short dialogue we’ll get, we know what choice this guy made. 

He is laundering money for a Mexican drug cartel.

The FBI is watching him, and his family’s life is threatened. Even his marriage trust starts to suffer as he accuses his wife about another betrayal.

All those little moments that show us the choices he made, they make us want to find out how it all turns out for this guy. 

Is this going to be a Morality – Punishment story combined with an exciting thriller?

I guess so. The thriller takes it all the way to damnation, and by those choices this guy is making and money is at its core, of course, he’ll be struggling with what’s morally right and what’s not and the consequences of his actions.

It’s the best foundation for making him redeem himself in future episodes. 

But that’s just my take from the trailer. 

I haven’t watched the show yet, but I’m definitely hooked.

Parul: Notice that his worldview seems fixed. This doesn’t seem to be a man questioning his choices, he may be ruing the consequences. But he’s a pretty tough man – wants to do whatever it takes. Notice when the FBI says to him ‘ The lying, the running, aren’t you tired?’ Their answer is to deny it all, meaning, no I’m not yet tired, this is an anti-hero that we are likely to support despite his habits and life-choices. 

Randall: A thriller is part Crime, Part Horror, and part Action – and from the trailer, I think we get all of that as a viewer.  Crime turns on the global values of life and death.  Just from the trailer, we see a half dozen deaths and a number of threats to the family.  The fact the FBI is investigating the family solidifies the crime piece.  The horror lies in the beyond damnation of the protagonist involving his family, his children – this could be his fate worse than death.

It seems to have all the ingredients of a good thriller, but whether they will be able to deliver remains to be seen.  

Question: What makes a Great Thriller

Parul: Compelling hero or anti-hero 

Randall: Great Inciting Incident, Great Villain, Great Hero at the Mercy of the Villain

Mel: Great internal and external genre combo

Next Episode: Ozark Analysis and Foolscap

More Story Analysis

If you want to see more applications of the Story Grid methodology, below are links to my analysis of various novels and television shows in blog posts and podcasts:

Story Grid Showrunners Podcast – Parul, Melanie, and I analyze hit TV series using the Story Grid methodology.

My blog posts analyzing other Television series – my person take using the Story grid 5 Commandments to look at my favorite TV series – Jack Ryan, Batgirl, For All Mankind, Hanna, and more.

Novel analysis – I analyze some of my favorite books using the Story Grid 5 Commandments and 6 core questions – First Blood, Old Man’s War, Waylander, and more to come!

If you like my Posts – Buy me a coffee.
Thanks!

The Story Grid

Story Grid Book

If you want to learn more about writing a story using the Story Grid methodology, go to the Story Grid Webpage to find free videos and articles on how to implement the methodology.

These articles contain information about the 5 Commandments of Storytelling and the Editor’s 6 Core Questions from the book The Story Grid by Shawn Coyne. They also give details on obligatory scenes and conventions for specific genres, such as the thriller, love story, war story, crime story, and more.

For an example of how these techniques are used, read Jane Austin’s The Pride and the Prejudice with annotations by Shawn Coyne.

Editing Services

If you are interested in hiring me to edit your manuscript or if you need help writing a novel, check out my editing services. Also, see my Testimonials page for comments from previous clients.

Thanks!

Manuscript Editing Services
Manuscript Editing Services

Leave a Reply

%d bloggers like this: