If you want to see previous episodes of the Story Grid Showrunners Podcast, check out my episode list or go to www.sgshowrunners.com

When the 3rd season is over, we’ll have a summary episode where we talk about the 6 core questions and release our foolscap.

Reminder: Please watch the TV-Series Killing Eve Season 3 Episode 4 before you listen to the following episode. We not only give away spoilers, but we talk about the global story and it’s just more valuable for you if you know what we are talking about because we reference a lot.

Initial Observations

Mel – A documentary about life in remote Russia that has a tragic, but expected ending.

Parul – If I’m looking for a silver lining – here is a good way to look at how one might introduce a villain’s backstory

Randy – WTH?

Recap: What happened in the previous episodes: 

• Villanelle asks Konstantin about her family
• Villanelle does a job for him and got the address for Grismet, Russia
• Dasha tells Villanelle that the 12 want to meet her, but she must be good
• Eve chooses Niko over herself – going to Poland to reunite with him
• Dasha kills Niko in front of Eve and Eve is crushed

5 commandments for Eve

Eve wasn’t in this episode.

5 commandments for Villanelle: 

1. Inciting Incident: Villanelle returns home to her family.
2. Turning Point: Borka tells Villanelle that her mother blamed him for embarrassing the family because he didn’t win the food competition.
3. Crisis: Shall Villanelle confront her mother about their past and everything that’s been left unspoken OR shall she continue to enjoy this family life?
4. Climax: Villanelle confronts mother with the childish behavior she used to do (tomato sauce in eyes and knife in hand)
5. Resolution: Mom wants to throw Villanelle out, but Villanelle tells her mother that she put her darkness onto her. So Villanelle kills her, and burns down the house, but makes sure her two brothers are not in the house.

Thoughts about the Format

Randy: Well, I think they made an error in judgment here.  Either Eve is the main character of the story or she is sharing that position with Villanelle.  I kept hoping that episode would end with an Eve bit to entice us along.  There were some classic Villanelle scenes, but this wasn’t necessary.

Mel: Did they want to keep up the excitement about Eve seeing how her husband has been killed that they made an entire episode about Villanelle being with her family? 

I mean last week we already talked about the change of format when each character had their one piece in the episode and it all led to one event that was announced at the beginning of the show.

But this episode was just one single, very long scene that fulfilled the five commandments in a weak way with an episode’s showdown that I suspected from the beginning. After all, it’s Villanelle.

I noticed sometimes tv series end with a great cliffhanger and the next episode they don’t get back to that incident and show some other characters, but this episode was just stalling. Maybe they need to stretch the material they have, but if they continue like this, who wants to see season 4? They should worry about telling a great and tight and entertaining story that abides it’s genre because this is not the show from season 1 anymore.

Parul: They’ve kept Villanelle’s humor and psychopathic tendencies in here.

Aside from the missing big elephant of Eve & the Twelve which is what this story is all about, they have ruined any sort of empathy I had for Villanelle – her family didn’t seem that bad. The mother said she ‘had darkness’, but I didn’t understand the dynamic between them. Why did the mother give her away, what is this darkness she spoke of? What did the writers want us to feel about Villanelle after this? That she is completely unhinged? She’s become wholly unlikeable and I’m more confused about her background than I was before.

Thoughts about the Global Story

Randy: I don’t see how this episode progresses the global story, maybe they will surprise me.  The story should always progress towards the wants and needs of the main characters, moving forward, and the crisis should get progressively harder, the best bad choices should get progressively harder to make.  I don’t see this here.  Maybe they were trying to make us feel that this was a hard choice for her, but it didn’t seem like it.

Mel: Did they run out of ways of exciting kills? I mean, this entire episode went against everything we loved about the show Killing Eve. and after devoting 40 minutes to Villanelle entirely, the payoff should have been amazing. But we don’t even see how Villanelle kills her mother. She’s just lying on the ground while Villanelle sets the house on fire and it explodes. Something we’ve seen so many times before in other stories. And setting a fire didn’t even come as a surprise, because we were told in the beginning that Villanelle set the orphanage on fire.

Parul: Everything goes back to the genre for the Season, this is a thriller and both for the series as a whole and for the Season itself, we should be seeing progressive complications that get in the way of the villains being caught. This episode was a microscopic zoom in to a villain’s backstory, and doesn’t progress the story. 

Spotlight on the Backstory  

Examples of stories with effective backstories: Harry Potter, Lord of the Rings, the L Word.

How we might have written this differently:

Parul: We’re missing speech in praise of the villain. We’ve moved from Season 1, where we had a speech in praise of the Villain (remember how the killer had eluded MI6 for years across multiple continents) to speech to weaken the Villain. For example, if they had given us the true cause for Villanelle’s mindset or why she ended up with the twelve, then we might have had a speech in praise of the villain. You might have had a scene with the mother telling Villanelle to give up her job, and Villanelle telling her mother how powerful the twelve are. Or you could have the Twelve appear at the mother’s house – after all, they know everything right? They could have killed her entire family to force Villanelle back to them. This episode could have been a reason for Villanelle to truly hate the Twelve and join forces with Eve.

Morality Genre

Villanelle certainly dealt with a ghost from her past who haunted her because she never seemed to have gotten over her mom abandoning her when she was still a child.

But this doesn’t mean punishment for Villanelle in the sense of the morality genre when you feel like you live in damnation for all the things you did wrong, but freedom. She’s rid of her burdens now.

What can we expect in the next episodes?

Parul: It seems like they are pushing Villanelle’s character to become less sympathetic, which is a shame. I’m guessing that Villanelle will reunite with Eve, but I can no longer see a reason for the two to have any spark, or for us to want that for them.  

Randy: I mean, whatever happens next will be surprising to me i guess, but not in a good way.  I hope we don’t see another funeral scene for Niko.  Maybe we’ll have a whole episode dedicated to what Eve is doing while Villanelle is family bonding.

Mel: I’m not expecting anything anymore. I’ll just get disappointed. But if they want to make up for the lack of story, then they need to deliver a fast-paced episode with great unexpected turns. But I guess, they will switch back to Eve and maybe make one episode entirely about her and the mess she’s in. I hope you see the irony 😉

What were your favorite scenes?

Randy: She won the dung throwing competition!  The crazy dance scenes.

Mel: Seeing Villanelle happy as she won the different challenges and at the end the competition. You know, at least someone had a reason to smile in this episode.

Parul: I appreciated the absurdity of an Elton-John loving family in Russia, given how flamboyant he is, and how homophobic Russia is supposed to be. The dancing was awkward but the subtle humor was good.

Story Grid Showrunners Podcast

If you want to listen to more Story Grid Showrunner Episodes, subscribe on Apple Podcasts or Google Podcasts, or on whichever platform you prefer to listen to your podcasts. If you liked the episode, please comment on Apple or Google Podcasts, it helps other listeners find us and spreads the word to other writers and editors.

Also, you could visit my Story Grid Showrunners webpage which has a list of all of our episodes and links to listen to the recordings.

The Story Grid

If you want to learn more about writing a story using the Story Grid methodology, go to the Story Grid Webpage to find free videos and articles on how to implement the methodology.

These articles contain information about the 5 Commandments of Storytelling and the Editor’s 6 Core Questions from the book The Story Grid by Shawn Coyne. They also give details on obligatory scenes and conventions for specific genres, such as the thriller, love story, war story, crime story, and more.

For an example of how these techniques are used, read Jane Austin’s The Pride and the Prejudice with annotations by Shawn Coyne.

Editing Services

If you are interested in hiring me to edit your manuscript or if you need help writing a novel, check out my editing services. Also, see my Testimonials page for comments from previous clients.

Thanks!

When the 3rd season is over, we’ll have a summary episode where we talk about the 6 core questions and release our foolscap.

Reminder: Please watch the TV-Series Killing Eve Season 3 Episode 4 before you listen to the following episode. We not only give away spoilers, but we talk about the global story and it’s just more valuable for you if you know what we are talking about because we reference a lot.

Initial Observations

Mel – Confusing, because I wondered why they’ve changed the way they tell an episode, especially in midseason? Probably only to keep the tension between Eve seeing Niko and in between until we found out why we thought something was off.

Parul – I’m not sure about the new format. But I am happy about the addition of the red-haired woman. Good episode but slower and doesn’t match the allure of Season 1.

Randy – The ending was just bad writing, but it could have been great.

Recap: What happened in the previous episodes: 

• Carolyn follows a lead to a possible accountant for the 12
• Villanelle and Eve meet for the first time this season
• Eve starts analyzing again and thinks Villanelle will kill Carolyn
• The accountant is killed instead of Carolyn and Eve loses her last clue
• Villanelle gets a new perfume
• Villanelle asks Konstantin about her family

5 commandments for Eve

1. Inciting Incident: Niko, who we thought had abandoned her, has messaged her.
2. Progressive Complications TP: In the office, Eve discovers the connection between the chalk murders in 1974 (Russian sports rivalry) and the Catalan murder. She knows that this killer could lead them to the Twelve.
3. Crisis: Should Eve keep investigating the Twelve OR make the choice to pursue Nico and take care of her relationship and amend her past failures.
4. Climax: Eve goes to Poland to find Niko
5. Resolution: Niko is killed in front of her eyes (and unknown to her the Twelve are plotting for an accelerated enmity between her and Eve)

5 commandments for Villanelle: 

1. Inciting Incident: Dasha tells Villanelle she’s up for promotion but she has to play by the rules!
2. Turning Point: Konstantin hands her proof about her family and wants her to do a job off-the-records for him, and he will provide her with the location of her family.
3. Crisis: Should Villanelle refuse Konstantin’s offer to show the Twelve that she can play by the rules and listen when she’s told not to travel OR does she risk her promotion to find out more about her past?
4. Climax: Villanelle does the job for Konstantin and kills Charles Kruger’s wife in Lyon.
5. Resolution: Villanelle is back in Russia (and unknown to her, her ‘relationship’ with Eve has been destroyed)

Thoughts about the Global Story

Randy: I enjoyed how most of this episode played out.  We see similarities to the past seasons – Villanelle gives a cake while in the first season it was new clothes.  I like that Carolyn is waking up and back to her spy self, understanding that Konstantin is working her daughter.  We have playful Villanelle on the cable car.  And I love that Irina is back.

My biggest problem is at the end of this episode they are not staying true to Eve’s character.  She sees Niko get stabbed, but she does nothing – she doesn’t try to stop the bleeding, she doesn’t chase down the villain who obviously just stabbed Niko.  She drops to the ground, defeated.  For me, this ruined the whole episode.

The hook here for this episode is that Villanelle is back in Russia, and that didn’t go very well for her last time.  And the anticipation of possibly, finally, getting to know the Twelve.

Mel: Niko’s death is certainly the most crucial part for everything that will follow. This will set Eve on a hunt for his murder. She will suspect it was Villanelle but might realize after her initial rage that the message ‘Still got it’ doesn’t sound like Villanelle at all – and it wouldn’t make sense either that she had killed him. 

So I guess Dasha’s plan will fail because that incident might bring Villanelle and Eve back together again – in an unexpected way. Maybe Eve will even seek her help. And Villanelle still cares about Eve – we know that. 

Parul: Come on Twelve, you’ve given us the red-haired woman, that’s a great addition but we need more. The Global Story is a Thriller and we need to have a greater emphasis on investigative work. That has fallen by the wayside in this episode. I continue to love Villanelle’s character but I am confused about what we are after. Who is the master villain and what do they want?

Obligatory Scenes & Conventions for a Thriller

Randy: Still no Speech in praise of the villain.

I am curious how the hero at the mercy of the villain will play out – who will be the hero?

Since Niko is dead, what will Eve’s all is lost moment be?  I’m afraid the writers may have written themselves in a hole.  This is too early, we aren’t even halfway through the series yet, it will be difficult to top that after the death of Kenny and Niko, and keep the audience hooked.  I can’t see higher stakes.

Parul: We don’t have a speech in praise of the villain but we do have the all-knowing eye of the 12. The red-haired woman knows all about Eve. Everyone seems to know about Eve and Villanelle but this doesn’t seem to put Eve in danger (for some reason this would be a problem, as the red-haired lady explains to Dasha)

Morality Genre

Mel: In this episode, Eve is a mess – once again. She sleeps in the office and hopes no one would notice her smell, her hair, or her clothes. She doesn’t dare to go back home.

Then Eve receives assistance from an unexpected source. That’s a convention of the Morality Genre. Jamie acts like a mentor. He is not only taking her in, but he also opens her eyes by telling her that she’s not the only self-loathing arsehole in the room. Other people have done bad things too.

This talk leads to Eve finally choosing her own life and Niko over the ongoing investigation. She knows she can make a change through her own choices, and she chooses Niko.

If this is morally right is still in question.

She does put her own as well as Niko’s need ahead of a group who will continue to suffer as long as the 12 are out there. But perhaps, this is her doing the first right thing on her own path or redemption. She wants to make things right, and Niko certainly belongs to it.

BUT 

Niko was her reason for living. Nothing left to live for. 

And losing him throws her directly into her All Is Lost Moment because he was the only good that she had left in this world. She is in shock, literally, she can’t even go there and be there with him as he dies. She just breaks down, helplessly.

And she needs to realize, every path, every decision she has ever made, led to this moment. It’s her fault – on some level.

What can we expect in the next episodes?

Parul: They’re building us up for another Eve-Villanelle Clash. But aside from that, I don’t know. There is a storyline about the missing six million dollars.

Randy: Obviously, Dasha hopes that Eve thinks it’s Villanelle that killed Niko.  I hope the writers are better than using that trope to fool the hero.  Eve’s gift is finding the truth, we’ll see.

Mel: Eve is at the beginning of her All Is Lost Moment. The question is: Will she discover her inner moral code and do what’s right to stop the 12 with whom everything began, or does she choose the immoral path? The immoral path would be giving up and staying a self-loathing arsehole as well as not keeping it professional between her and Villanelle once they both discover they’ve been played.

What were your favorite scenes?

Randy: I liked the anticipation of Dasha’s plan at the end, but I think the writers dorked it up.  And I like the scaring the hiccups away scene – classic Villanelle.

Mel: I liked Villanelle’s awkward dance after being told she gets a promotion.

Parul: The introduction of the red-haired lady who when mentioning Eve talks about her turtleneck. She’s cut from the same cloth as Eve. Hot, snobby, and deadly.

Valerie Francis wrote a great article about the importance of great villains in stories called Stories Need Great Villains on www.storygrid.com.

Story Grid Showrunners Podcast

If you want to listen to more Story Grid Showrunner Episodes, subscribe on Apple Podcasts or Google Podcasts, or on whichever platform you prefer to listen to your podcasts. If you liked the episode, please comment on Apple or Google Podcasts, it helps other listeners find us and spreads the word to other writers and editors.

Also, you could visit my Story Grid Showrunners webpage which has a list of all of our episodes and links to listen to the recordings.

The Story Grid

If you want to learn more about writing a story using the Story Grid methodology, go to the Story Grid Webpage to find free videos and articles on how to implement the methodology.

These articles contain information about the 5 Commandments of Storytelling and the Editor’s 6 Core Questions from the book The Story Grid by Shawn Coyne. They also give details on obligatory scenes and conventions for specific genres, such as the thriller, love story, war story, crime story, and more.

For an example of how these techniques are used, read Jane Austin’s The Pride and the Prejudice with annotations by Shawn Coyne.

Editing Services

If you are interested in hiring me to edit your manuscript or if you need help writing a novel, check out my editing services. Also, see my Testimonials page for comments from previous clients.

Thanks!